40 independent record labels 1950s

Music Industry History 1950s - Playlist Research 1950s - In the early 1950s the big five major record labels were Columbia, RCA Victor, Decca, Capitol and Mercury. Capitol had risen to being the fourth biggest label in 1955 when EMI, the biggest UK record operation, bought Capitol for $8.5 million. Independent record label - Wikipedia An independent record label (or indie label) is a record label that operates without the funding or distribution of major record labels; ... From 1940s to 1950s, R&B indie labels such as Savoy, Apollo, King, Modern, Mercury, Imperial, Specialty, Red Robin, Duke and Vee-Jay Records were founded.

The Rise and Fall of Record Labels - Claremont Colleges completed all of their contractual obligations to its record label EMI. In its announcement, the band announced that it was receiving most of its profit from merchandise and concert tickets, and due to this they would be seeking to release their next album independent of any record label1. This would be the first time that any band

Independent record labels 1950s

The Independent Record Labels of the 1950's and 1960's | Bartleby The Independent Record Labels of the 1950's and 1960's Better Essays 4437 Words 18 Pages Open Document The Independent Record Labels of the 1950's and 1960's History of Music Production Eric Eller Throughout the 1950's and 1960's, a wave of new musical movements by independent record labels and new artists emerged in the United States. Independent label vs The Major labels. Pros and Cons! - Medium Cons. Resources spread among many acts. Staff turnover. Limited personal attention. Limited negotiating leverage. Many dedicated music lovers work on the major label side of the music industry ... POP VIEW; The Little Record Labels That Could (and They Did) "The Cobra Records Story" presents a narrower range of music, recorded in the late 1950's by a tiny Chicago company over its two-year life span. Both Cobra and Chess owed much of their success to...

Independent record labels 1950s. Major Labels vs Independent Labels - TeenStar The term 'indie' (independent) is applied to any music label that operates outside the sphere of the major corporations. Indie labels differ dramatically in size and capacity: from professional teams working in slick premises, to self-trained individuals using their home computer to run the business. Many artists who are now with major ... Category:Record labels established in 1950 - Wikipedia Categories: Record labels established in the 1950s. Entertainment companies established in 1950. Mass media companies established in 1950. 1950 in music. Record labels by year of establishment. Hidden categories: Navseasoncats year and decade. How Indie Record Labels Work - The Balance Careers An independent label, also known as an indie label, is a record label that is independently funded and not connected to one of the big three major labels — Universal, Sony and Warner. Indie labels range from home-based hobby labels to highly profitable, large businesses. In the 1990s, the line between indie labels and major labels began to ... Music Industry History 1920s - Playlist Research - Brunswick emerged as the most successful new independent label following the post-World War I boom of new record labels. In 1925 Brunswick became even bigger by acquiring the Aeolian Company and Vocalian Records. - The industry standard became 78 rpm shellac records by 1925, although this format had been in existence since the late 1890s.

What happened to radio DJs?: Payola, rock and roll, and race in the 1950s This allowed independent record labels and BMI, the insurgent music rights clearinghouse competing with ASCAP, to grow and take market share. ... FTC, and FCC probes in the late 1950s focused primarily on small, independent record labels' relationships with disc jockeys. Lawmakers saw only nefarious reasons for the rise of rock and roll ... 10 Black Owned Record Labels We Don't Discuss Enough Black Swan Records. Black Swan Records was a jazz and blues-based label founded in 1921 by a black music businessman named Harry Pace. The label, known as the first black-owned record label, was named after Elizabeth Greenfield, a famous 19th-century black vocalist who was referred to as "the black swan" because of her voice. 50sPopMusic.com The major record labels started recording covers in the early 1950s to deal with the threat of 'cross-over' songs from the rhythm and blues and country artists. The major labels didn't want the specialized country, R&B, and black musicians to threaten the dominance the major studios enjoyed in the mainstream POP music market. The Independent Record Labels of the 1950's and 1960's Throughout the 1950's and 1960's, a wave of new musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label creators and owners, and in the turbulent journey through their successes and failures.

The Rise of Independent Record Companies and Rock 'n' Roll RCA Victor, Decca, and Columbia were able to dominate the market because they controlled every facet of the industry including recording studios, manufacturing plants, distribution, and even sales outlets. They even controlled the outlets for exposure. RCA was owned by NBC and Columbia by CBS. Both owned many TV and radio outlets. Independent record labels and producers | Britannica Of the first generation of successful rock-and-roll singers, almost all recorded for labels that initially supplied rhythm-and-blues records: Fats Domino for Imperial, Chuck Berry for Chess, Little Richard for Specialty, and Elvis Presley and Carl Perkins for Sun. Chapter 5: The Reaction to Rock 'n' Roll Flashcards - Quizlet How did the major record companies contribute to the rise of independent record companies in the 1940s and 1950s? ... Which style of music did major record labels promote in an attempt to divert popular tastes away from rock 'n' roll in the 1950s? Calypso. The overwhelming social function of the Schlock Rock artists was to. Florida Crate Labels, 1920s-1950s - Florida Memory The labels range in size from the standard 9-inch square label that was placed at the indented end of a wooden shipping crate, to the 6-inch square and 3-by-9-inch labels that were used for half boxes and gift boxes. Favorite Brand Florida Tomatoes Label, 1930s-1950s. The majority of the labels were donated by the family of Harold and Geraldine ...

Island Records- The "Pink Label" Era - The Vinyl Press

Part 3: Independent Labels Find Success - NCpedia Colonial Records of Chapel Hill was undoubtedly the most successful of the independent record companies in North Carolina. Its owner, Orville Campbell, kept the label in business from 1948 to 1965, releasing a wide variety of recordings from bluegrass and country to pop, novelty, comedy, folk, and early rock 'n' roll.

35 1930s Record Label - Labels Information List

The Joy of 45 Collecting: Eye-Catching 45 Record Labels Label art from tiny record companies who never pressed LPs adds an eye-candy component not found in LP collecting. Even the labels of larger companies make more of an impression visually on a 45 record, since the label is more prominent. If you're like me, you'll get a kick out of scrolling down this page to see all of the rare and interesting 45 record labels that were used in the 1950s-80s.

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The Independent Labels - University of Idaho were established in the late 1940s and 1950s which were extremely significant to rock music. Some of the most important labels were Atlantic, Chess, Elektra, Imperial, King, Specialty, and Sun Records, followed later in the 1950s by Stax and Motown. Atlantic Records was established in 1947 by Ahmet Ertegun and Herb Abramson

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Record labels that rocked our world - The Independent Blue Note's golden age was in the 1950s and 1960s, when it released records by the cream of US jazz musicians and composers: trumpeter Lee Morgan, pianist Sonny Clark and tenor sax player Dexter...

32 1930s Record Label

The Independent Record Labels Of The 1950'S... | Term Paper Warehouse The Independent Record Labels of the 1950's and 1960's History of Music Production Eric Eller Throughout the 1950's and 1960's, a wave of new musical movements by independent record labels and new artists emerged in the United States.

King Records (United States) - Wikipedia

Independent Record Labels of the Early Rock Era Independent Record Labels of the Early Rock Era By Year Founded 1942 o o Savoy (Herman Lubinsky) Newark, Newark, New, Jersey o o Beacon (Joe Davis) New York, New York o o Excelsior (Leon & Otis Rene) Los Angeles (Exclusive in 1944) 1943 o o Apollo (Ike & Bess Berman) New York, New York o o Premier (Robert

CVINYL.COM - Label Variations: Dot Records

The Independent Record Labels of the 1950's and 1960's "Due to Tom Dowd's technical prowess, (Atlantic Records) was one of the first independent labels to record in stereo" (HMP, Ch III). Atlantic was formed in 1947 by Ahmet Ertegun, son of a Turkish ambassador, and Herb Abramson. It started out as a Rhythm and Blues and Jazz label. In the early 1950's Jerry Wexler and Nesuhi Ertegun joined the team.

The Music Department in the Fifties

The History of Black-Owned Record Labels - JSTOR Daily John Dolphin, a Los Angeles record store owner, started Recorded in Hollywood Records in 1950. This era would also see the birth of Vee-Jay Records, a rock, jazz, and R&B label owned by a husband-and-wife team, Vivian Carter and James C. Bracken, who would later see huge success with their release of early Beatles singles. Weekly Newsletter

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The Independent Record Companies - History of Rock the small independent record companies that dominated the rhythm and blues market in the late 1940s and early 1950s relied on payola, which wasn't a federal crime, in order to compete and get their records on the radio.with the coming of rock and roll the number of small recorded companies increased increasing competition in getting their records …

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POP VIEW; The Little Record Labels That Could (and They Did) "The Cobra Records Story" presents a narrower range of music, recorded in the late 1950's by a tiny Chicago company over its two-year life span. Both Cobra and Chess owed much of their success to...

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Independent label vs The Major labels. Pros and Cons! - Medium Cons. Resources spread among many acts. Staff turnover. Limited personal attention. Limited negotiating leverage. Many dedicated music lovers work on the major label side of the music industry ...